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a28594 (November 30, 1999 at 12:00 am)
these two separate the boys from the men ..., just amazing Milnes what a man !! i wanna be like sherill !!!lol
voltape (November 30, 1999 at 12:00 am)
excellent interpretation of this gradiose duo. If I'm not wrong, Milnes signs the same high note as the tenor at the end, in the "Dio Vendicator!" - That could be a proof Milnes is actually a dramatic tenor who has chosen to stick to bariton - Re the "pensa a la madre" in "Sois immobile=resta immobile" of Guillaume Tell.
sheddehs (November 30, 1999 at 12:00 am)
I just finish watching Sherrill at a workshop he was working with the OTAPS! in the barber of seville he was absolutely amazing!
ddevicente (November 30, 1999 at 12:00 am)
I watch this every morning, its like a cup of coffee...
tonydermota (November 30, 1999 at 12:00 am)
Giacomini's voice seems to overwhelm Milnes's. Too bad it isn't more attractive.
raycanto76 (November 30, 1999 at 12:00 am)
i have always adored Giacomo voice..especial in the Forza with Price. he is simply an ourtstanding spinto...Milnes sucks in this clip. he never was a dramtic Verdi baritone.. he over compensates..
tenorismo (November 30, 1999 at 12:00 am)
I want to hit Milnes with a rotten egg . All of the yaowling. Giacomini's voice has gotten incredibly dark. Aboyt 8 or 10 yrs ago he released 2 CD's one of arias the othr of sacred music.
CONTESTAR (November 30, 1999 at 12:00 am)
I really like the sincerity of Milnes' kiss at the end, with obvious collegial admiration for his colleague's wonderful interpretation.
Not that Milnes wasn't wonderful, but for the tenor this thing is a killer...
BeauTenor (November 30, 1999 at 12:00 am)
For some reason I doubt that that is really the case. Giacomini was noted for being uneven. When he was on he was phenomenal, but if he was off it was pretty bad. He could tend to bellow a bit at times. Here, he's amazing. They both are. It's like two big cannons lobbing shots out at the audience.
operamandan79 (November 30, 1999 at 12:00 am)
lol |
