G00DFELLAZ (November 30, 1999 at 12:00 am)

Charnett Moffett

Setivo (November 30, 1999 at 12:00 am)

man, the bassist was IN the music, and you could see that he was loving it

Chicolini19 (November 30, 1999 at 12:00 am)

who's on bass? pretty amazing

lego1993 (November 30, 1999 at 12:00 am)

Your saying that in a good way, right?

zerobubbel (November 30, 1999 at 12:00 am)

wat een sukkel

cristinga (November 30, 1999 at 12:00 am)

voy a ser ordinaria,en mi provincia se dice: ¡¡¡SE LA HACE OCOTE A LA VIOLA!!!

ItsBeatle (November 30, 1999 at 12:00 am)

wat een gelul

theotherbabies (November 30, 1999 at 12:00 am)

i thought it was 92'?

zerobubbel (November 30, 1999 at 12:00 am)

Wat een gepiel..

newguy90 (November 30, 1999 at 12:00 am)

With the first reason, tell me about it. Case in point: Scott Joplin. His rag pieces were meant to be played at a respectable pace to emphasize the melody. However many Jazz and Classical artists often speed them up just to showcase their talent. This even happened in Joplin's lifetime, and he often expressed his hatred for it. It's mature performers that seek to interpret what the piece is trying to convey, instead of mining it for opportunities to show off their technique.